In the fall of 1962, I went with my father on a trip to Mexico. He was meeting a woman he had corresponded with. We arrived in Chihuahua on November 1, just in time to go with the woman’s family to the cemetery for El Día de los Muertos on November 2. In the next six weeks, we would go on a tour to Saltillo, San Luis Potosí, Mexico City, Morelia, Guadalajara, Aguascalientes, Zacatecas, Durango, and back to Chihuahua. We saw a canyon full of Monarch butterflies, peasants carrying huge loads of firewood on donkeys, farmers plowing with oxen, boys bathing naked in a small waterfall and waving to the travelers, indigenous people in native dress, rural buses with goats tied on top, barbecued cow heads, paintings of President Kennedy on black velvet, the Basílica de Guadalupe, and a million other sights. On our return to Chihuahua, we visited the small museum maintained by Luz Corral, the widow of Pancho Villa.
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During the summer between my fifth- and sixth-grade years, I had to go to the hospital to have my appendix taken out. While I was there, I read my first traditional western. I was ten going on eleven, and as I recall, the pediatric ward was full, so I was put in another ward to share a room with an old man (old to me, probably no older than I am now) who had stomach ulcers. Not having much in common with my roommate, and being a proficient reader, I turned my attention to the reading fare on hand. It was a novel called West of Abilene. For years after that, I had lingering memories of a few of its salient features.
Continue readingOne of the best pieces of advice I received when I was trying to find a home for my first novel came from an agent. She suggested that I not be afraid to try writing a genre western. As I had been writing short stories, articles, reviews, and poems for several years and was taking a big step toward book-length fiction, I was hesitant to try a second novel if my first one wasn’t going anywhere. But with her encouragement, I went to work on an idea for a traditional western. It took me a couple of years, in and around the shorter things I was writing, in addition to my full-time teaching position, but I ended up with a western novel.
Continue readingI remember my eighth birthday with some clarity. It was in December of 1956, a short while after I learned that my mother had died. It was during the cold, clammy part of the year, and the two events overlap somewhat in my memory. I know that on one morning shortly after Thanksgiving, my father called me and my two brothers into the kitchen and told us that our mother (who had been living far away) had died. He told us we should tell our teachers, who needed to know that sort of thing.
Continue readingA few years back, I spent three months in Saltillo, Coahuila, in northern Mexico, where I studied Spanish philology and literature. For a good part of the time I was alone, and I didn’t mind it. The other lodgers in the boarding house, university students, had left for summer vacation, so I often sat at the big table and ate by myself. The language institute was changing its focus from advanced studies in language to a bilingual secretary program, so I was the only student in most of my classes. To get my exercise, I went on long afternoon marches, by myself, through various parts of the city. I would lace up my hiking boots, put on the straw hat I bought in Chihuahua, and set out, not concerned about whether people took me for an extranjero—a foreigner, or stranger. For the most part, no one paid me much attention and I went on my way, comfortable in the city that called itself “the Athens of Mexico.”
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